![]() ![]() This implies that the removal of the mother allows the plot to develop freely without the restriction of social constraints. DA Miller provides reasoning for the absence of the mother figure, as she represents stability and order within the narrative. ![]() The absence of the mother in both novels correlates with Ruth Bienstock Anolik’s claim that the mother “is in greater peril” within literature. ![]() This essay will therefore examine how the representation of negative childhood experience and its subsequent effects on later life in Wide Sargasso Sea and Dolly correlate with contemporary psychoanalytical theory. ![]() These relationships, reactions, and responses to childhood trauma can be understood further with the aid of psychoanalytical theory, in particular ideas such as attachment theory, doubling and the uncanny. Antoinette is made vulnerable by the lack of her mother’s protective influence, whereas Leonora passes on her anger and distress to her unborn child. However, the responses of these characters to their experiences differ. The protagonists Antoinette and Leonora respectively are presented as having traumatic relationships with absent mothers. Despite their difference in genre, Jean Rhys’ Wide Sargasso Sea and Susan Hill’s Dolly both explore how issues in childhood impact later life. ![]()
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